Codecs can be intimidating to learn, but are vitally important for filmmakers and editors. We’ve put together a beginner’s guide to help you understand.
We’re all very excited for the release of DaVinci Resolve 14, and to celebrate we’re diving into the software’s brand new audio features from Fairlight
NAB 2017 brought us many announcements, but few are generating quite as much hype as DaVinci Resolve 14 – which includes a brand new audio editor.
Welcome back to part two of our series on DaVinci Resolve 12. Let’s take a closer look at a few specific features including audio and file management.
In this series of articles, we’ll look back at how DaVinci Resolve 12 has offered a complete, all-in-one post production workflow over the last year.
IP video is the future of live productions. In this month’s series we take a look at what it is, how it works and which companies are making leaps forward.
Sometimes you have to look beyond the picture to see how your footage is behaving. These three video scopes will help you to do just that.
One of the easiest ways to ruin the appearance of your film is to grade it on a monitor that isn’t correctly displaying the colours.